{"id":1429,"date":"2008-04-06T14:13:06","date_gmt":"2008-04-06T13:13:06","guid":{"rendered":"http:\/\/www.crossingprods.com\/?p=1429"},"modified":"2012-11-19T15:53:48","modified_gmt":"2012-11-19T14:53:48","slug":"migractions-2008","status":"publish","tipo":"post","link":"https:\/\/www.crossingprods.com\/?p=1429","title":{"rendered":"Migractions 2008"},"content":{"rendered":"

Ce premier Migrations existe par la volont\u00e9 individuelle et collective de : Antonia Hayward, Benoit Pimont, Charlotte Dubail, Christine Taniga-Smith, Delphine Dey, Fabrice Bongiorni, Fran\u00e7ois Thomassin, William Brown, Leo Frades, Maria Teresa Ferreira, Marie ano, Marinete Nolasco, Sabine Biaiscamano, Tanguy Gauchet, Tatiana Grasso, Telma Savietto, Thomas e Vincent Vidal Razet.
\nNotre d\u00e9sire : c\u00e9l\u00e9brer la libert\u00e9 de migration des formes et des identit\u00e9s en mouvement, en provenance d\u2019une pluralit\u00e9 d\u2019horizons artistiques et culturels. Migrações, un festival transdisciplinaire articulant th\u00e9\u00e2tre contemporain, World Music, jazz, dança, palestras, exposição, th\u00e9\u00e2tre forum et sp\u00e9cialit\u00e9s culinaires. Fruto das nossas reuniões e nossas viagens, cette programmation est celle de l\u2019amiti\u00e9 et de la d\u00e9couverte, plac\u00e9e sous le signe toujours vibrant de la cr\u00e9ation et de l\u2019hospitalit\u00e9.<\/p>\n

Feliz por tê-los como companheiros.<\/p>\n

Rui Frati, Isabel Ribeiro et Toninho do Carmo<\/p>\n

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Th\u00e9\u00e2tre<\/h1>\n
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Les cruaut\u00e9s ordinaires – Delphine Dey<\/p><\/div><\/p>\n

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\"Crossing<\/a><\/p>\n

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Transpõem fronteiras<\/dd>\n<\/dl>\n

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Nas sombras<\/p><\/div>\n

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Les cruaut\u00e9s ordinaires<\/h4>\n

Delphine Dey met en sc\u00e8ne la troupe de l\u2019Opprim\u00e9 : nossas viagens, nossa migração, nossas reuniões, nous revenons avec tant de grandes id\u00e9es et puis\u2026<\/p>\n

Transpõem fronteiras<\/h4>\n

Anna Carteret e Stella Maris. Une collection personnelle de prose et de po\u00e9sie et de r\u00e9cits de premi\u00e8re main,\u00a0 d\u2019\u00e9crivains en exil, migrantes, et de r\u00e9fugi\u00e9s, pr\u00e9sent\u00e9e pour la premi\u00e8re fois au Poetry Caf\u00e9<\/em> et plus r\u00e9cemment aux Trafalgar Studios<\/em> \u00e0 Londres par deux grandes dames du th\u00e9\u00e2tre d\u2019outre-manche, membres du Royal National Theater et du Comit\u00e9 International pour la Libert\u00e9 des Artistes, qui milite pour les artistes \u00e9trangers confront\u00e9s \u00e0 des situations d\u2019oppression et de d\u00e9tresse.<\/p>\n

Nas sombras<\/h4>\n

De : RuiFrati et Isabel Ribeiro,<\/p>\n

Quand la parole n\u2019as pas droit de cit\u00e9, nous chantons\u00a0! Dans l\u2019Ombre\u2026un cabaret des r\u00e9sistances et des utopies qui traverse le temps et les continents\u00a0: Paris, Berlin ann\u00e9es 30 e 40, \u2026 1968, r\u00e9volutions en marche, Am\u00e9rique latine, Portugal\u2026<\/p>\n

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Música<\/h1>\n
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Os Alcolytes<\/p><\/div><\/p>\n

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Silvan Stancel<\/p><\/div><\/p>\n

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\"Toninho's<\/a>

Toninho’s Band<\/p><\/div><\/p>\n

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Didier Malherbe & Renaud Gillet<\/p><\/div><\/p>\n

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Michelangelo<\/p><\/div><\/p>\n

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Billie Raw Banda<\/p><\/div><\/p>\n

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Tarcisio Gondim<\/p><\/div><\/p>\n

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Macdara Smith<\/p><\/div><\/p>\n

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Beno\u00eet Pimont<\/p><\/div><\/p>\n

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Rafael Breda<\/p><\/div><\/p>\n

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Tempo Woz<\/p><\/div>\n

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Cenouras Lorem Ipsum, sopa de tomate ecológico. E os membros do tribunal da própria liberdade do vale, e no elit. Aeneas sempre sentar-se de modo que agora o portão da pílula. Até o fim de semana envenenado riso. Eros nem amanhã, O tempo e agarrar a vida, pobreza em que. Nenhuma clínica ou salada, como sempre NIBH. Celtics ullamcorper veículos ou às vezes não. A proteína, Quem diâmetro varia caixa, grande NIBH a menos esterilizado, Mas, agora, o autor quer levar ao. Camada Integer antes da balsa um fone de ouvido. Id no ódio da própria Anéis, bananas grávida. Id no ódio da própria Anéis, bananas grávida. Id no ódio da própria Anéis, bananas grávida.<\/p>\n

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Th\u00e9\u00e2tre Forum<\/h1>\n
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\u201cEmploi et VIH\u201d – Regards Crois\u00e9s<\/h4>\n

Travail autour des repr\u00e9sentations d\u2019une pathologie chronique \u00e9volutive (HIV) et de l\u2019emploi.
\nAvec la participation du Centre des Jeunes Dirigeants d\u2019Orl\u00e9ans, le R\u00e9seau Ville H\u00f4pital et le soutien de la Mission Emploi de Sidaction.
\nRestitution du travail de Vincent Vidal, no primeiro trimestre oficina 2008.<\/p>\n

O\u00f9 en sommes nous dans les discriminations ?<\/h4>\n

Cr\u00e9\u00e9 avec le Centre social des Tilleuls et le Collectif de Lutte et d\u2019Information contre les Discriminations (Cildi) em Blanc Mesnil.
\nRestitution du travail de Maria Teresa Ferreira en atelier du premier trimestre 2008.<\/p>\n

Dans mon quartier\u2026<\/h4>\n

Fruit des ateliers aux Coll\u00e8ges : Victor Hugo Noisy le Grand e Georges Braque Neuilly sur Marne
\nRestitution du travail de Leo Frati, no primeiro trimestre oficina 2008.
\nToutes les cr\u00e9ations de th\u00e9\u00e2tre en forum ont b\u00e9n\u00e9fici\u00e9 du soutien actif d\u2019Antonia Hayward et Thomas Razet.<\/p>\n

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Exposição<\/h1>\n
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1968 \u00e0 l\u2019affiche !<\/h4>\n

R\u00e9trospective en images des migrations soixante-huitardes : Paris e Praga, S\u00e3o Paulo, Rome ou Mexico\u2026
\nTout au long du Festival, dans le foyer du th\u00e9\u00e2tre, Quarta a domingo.<\/p>\n

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Dança<\/h1>\n
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“Margam”<\/p><\/div><\/p>\n

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“Sanpapi\u00e9”<\/p><\/div><\/p>\n

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Margam<\/h4>\n

Bharatanatyam, danse de l\u2019Inde du sud, cr\u00e9ations de Beeja Company, Londres. Com Arianna Balalabio e Helena Paskevica, form\u00e9es \u00e0 Londres par le ma\u00eetre indien Anusha Subramanayam. Le Bharatanatyam est caract\u00e9ris\u00e9 par l\u2019alternance de motifs abstraits (l\u2019expression des mains et du visage) et de formes narratives emprunt\u00e9es \u00e0 la mythologie.<\/p>\n

Sanpapi\u00e9<\/h4>\n

Itália, compagnie Sanpapi\u00e9. Progettarte. Th\u00e9\u00e2tre\/danse avec Lara Guidetti. Cr\u00e9\u00e9 \u00e0 quatre mains, Lara Guidetti e Sarah Chiarcos, esse show ofertas, dans la confrontation entre \u00e9criture et mouvement, chor\u00e9graphie et dramaturgie, sua própria fundação estrutural : la m\u00e9moire subjective organisatrice de sens.<\/p>\n

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Ce premier Migrations existe par la volont\u00e9 individuelle et collective de : Antonia Hayward, Benoit Pimont, Charlotte Dubail, Christine Taniga-Smith, Delphine Dey, Fabrice Bongiorni, Fran\u00e7ois Thomassin, William Brown, Leo Frades, Maria Teresa Ferreira, Marie ano, Marinete Nolasco, Sabine Biaiscamano, Tanguy Gauchet, Tatiana Grasso, Telma Savietto, Thomas e Vincent Vidal Razet. Notre d\u00e9sire : c\u00e9l\u00e9brer la […]<\/p>\n","protected":false},"author":2,"featured_media":891,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-1429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-migractions"],"psp_head":"Migractions 2008 \u2013 Ev\u00e8nements artistiques | Crossing Productions<\/title>\r\n<meta name=\"description\" content=\"Ce premier Migrations existe par la volont\u00e9 individuelle et collective de : Antonia Hayward, Benoit Pimont, Charlotte Dubail, Christine Taniga-Smith, Delphine Dey, Fabrice Bongiorni, Fran\u00e7ois Thomassin, Guillaume Brun, Leo Frati, Maria Teresa Ferreira, Marie Lanne, Marinete Nolasco, Sabine Biaiscamano, Tanguy Gauchet, Tatiana Grasso, Telma Savietto, Thomas Razet Vincent Vidal.\" \>\r\n<meta name=\"robots\" content=\"index,follow\" \>\r\n<link rel=\"canonical\" href=\"https:\/\/www.crossingprods.com\/?p=1429\" \>\r\n","_links":{"self":[{"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/posts\/1429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1429"}],"version-history":[{"count":99,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/posts\/1429\/revisions"}],"predecessor-version":[{"id":1432,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/posts\/1429\/revisions\/1432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=\/wp\/v2\/media\/891"}],"wp:attachment":[{"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crossingprods.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}